I wanted to deal with light directly rather than with paint.
James TurrellRead
There are different stages when you fly. The first stage is the dollhouse effect, seeing everything on Earth like it's a model. Suddenly, all of your concerns seem very small.
Interpretation
This quote emphasizes how gaining perspective can diminish our worries by viewing life from a higher vantage point.
James Turrell's quote reflects on the transformative experience of flying, which allows individuals to see the world from a new perspective, akin to viewing a dollhouse. This elevated viewpoint can lead to a realization that personal troubles and concerns are much smaller than they seem when viewed from a distance, encouraging a sense of detachment from daily stresses.
In practice
This quote can be shared during a talk on overcoming anxiety to highlight the value of shifting perspectives.
I wanted to deal with light directly rather than with paint.
It is only when light is reduced that the pupil opens and feeling goes out of the eyes like touch.
I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
In many cases, if we knew what it would take, we might have thought twice about it, so it's often wonderful that we don't have hindsight.
Space has a way of looking. It seems like it has a presence of vision. When you come into it, it is there, itβs been waiting for you.
I'm known as a light artist. But rather than be someone who depicted light, or painted light in some way, I wanted to have the work be light.
She looked out the window; in her eyes was the light that you see only in children arriving at a new place, or in young people still open to new influences, still curious about the world because they have not yet been scarred by life.
The Sufis advise us to speak only after our words have managed to pass through three gates. At the first gate, we ask ourselves, 'Are these words true?' If so, we let them pass on; if not, back they go. At the second gate, we ask, 'Are the necessary?' At the last gate, we ask, 'Are they kind?'
An author ought to write for the youth of his own generation, the critics of the next, and the schoolmaster of ever afterwards.
Nobody is ordinary if you know where to look.
I know that I cannot take responsibility for other people. We are all under the law of our own consciousness.
When I say 'Crush your enemy', I don't literally mean it.
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