A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Neil GaimanRead
There are some dogs which, when you meet them, remind you that, despite thousands of years of man-made evolution, every dog is still only two meals away from being a wolf. These dogs advance deliberately, purposefully, the wilderness made flesh, their teeth yellow, their breath a-stink, while in the distance their owners witter, "He's an old soppy really, just poke him if he's a nuisance," and in the green of their eyes the red campfires of the Pleistocene gleam and flicker.
Interpretation
This quote highlights the primal instincts and wild nature inherent in domesticated dogs despite their evolution alongside humans.
Neil Gaiman's quote poignantly illustrates the underlying wildness in domestic dogs, suggesting that despite centuries of breeding and domestication, they retain a connection to their ancestral roots as wolves. The imagery evokes a sense of the wilderness that exists within them, reminding us of the delicate balance between the domesticated and the wild, and how easily that balance can tip under the right circumstances.
In practice
During a nature documentary screening to highlight the primal instincts of animals.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.
Nothing’s changed. You’ll go home. You’ll be bored. You’ll be ignored. No one will listen to you, really listen to you. You’re too clever and too quiet for them to understand. They don’t even get your name right.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend.
Eastward the dawn rose, ridge behind ridge into the morning, and vanished out of eyesight into guess; it was no more than a glimmer blending with the hem of the sky, but it spoke to them, out of the memory and old tales, of the high and distant mountains.
Nature is, above all, profligate. Don't believe them when they tell you how economical and thrifty nature is, whose leaves return to the soil. Wouldn't it be cheaper to leave them on the tree in the first place? This deciduous business alone is a radical scheme, the brainchild of a deranged manic-depressive with limitless capital. Extravagance! Nature will try anything once.
I pledge allegiance to the soil _x000D_ of Turtle Island, _x000D_ and to the beings who thereon dwell _x000D_ one ecosystem _x000D_ in diversity _x000D_ under the sun _x000D_ With joyful interpenetratio n for all.
The oak tree:_x000D_ _x000D_ not interested_x000D_ _x000D_ in cherry blossoms.
It was a cold day but the sun was out and the trees were like great bonfires against gray distant fields and hills.
Dandelion wine. The words were summer on the tongue. The wine was summer caught and stoppered...sealed away for opening on a January day with snow falling fast and the sun unseen for weeks.
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