Who made art history? Not the most reasonable people. The mad men did. If painting is the mirror of a time, it must be mad to have a true image of what that time is. To one madness we oppose another madness.
Max ErnstRead
Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.
Interpretation
Painting should transcend mere decoration and instead serve as a source of constant creativity and insight.
Max Ernst emphasizes that painting ought to be an ongoing process of invention and revelation rather than a superficial or strictly representational art form. His perspective indicates that true artistry lies in the ability to continuously discover new ideas and express them creatively, thus transforming the act of painting into a profound exploration of reality.
In practice
During an art workshop, you might say this quote to inspire participants to approach their creations with a mindset of exploration.
Who made art history? Not the most reasonable people. The mad men did. If painting is the mirror of a time, it must be mad to have a true image of what that time is. To one madness we oppose another madness.
Creativity is that marvelous capacity to grasp mutually distinct realities and draw a spark from their juxtaposition.
Painting is neither decorative amusement, nor the plastic invention of felt reality; it must be every time: invention, discovery, revelation.
When the artist finds himself he is lost. The fact that he has succeeded in never finding himself is regarded by Max Ernst as his only lasting achievement.
Collage is the noble conquest of the irrational, the coupling of two realities, irreconcilable in appearance, upon a plane which apparently does not suit them.
Every normal human being (and not merely the 'artist') has an inexhaustible store of buried images in his subconscious, it is merely a matter of courage or liberating procedures ... of voyages into the unconscious, to bring pure and unadulterated found objects to light.
I don't care who likes it or buys it. Because if you use that criterion, Mozart would never have written Don Giovanni, Charlie Parker would have never played anything but swing music.
I'm a great audience. I cry very easily. I suspend disbelief in two seconds.
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
Color, even more than drawing, is a means of liberation.
Individual writers have different postures, different stances, even different physical attitudes as they stand or sit over their blank paper, and in a sense, without doing it, they are crossing themselves; I mean, it's like the habit of Catholics going into water: you cross yourself before you go in.
I sometimes think there is nothing so delightful as drawing.
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