Thou art a man God is no more Thy own humanity Learn to adore
William BlakeRead
He who pretends to be either painter or engraver without being a master of drawing is an imposter.
Interpretation
To claim skill in art without mastering the fundamentals is to deceive others.
This quote by William Blake emphasizes the importance of mastering the foundational skills, specifically drawing, before claiming to be a true artist, whether as a painter or an engraver. It critiques those who present themselves as artists without having the necessary skills, suggesting that authenticity in art comes from genuine mastery of its basic components.
In practice
This quote is a perfect reminder for an art class discussing the importance of fundamentals.
Thou art a man God is no more Thy own humanity Learn to adore
In seed time learn, in harvest teach, in winter enjoy.
O thou who passest through our valleys in Thy strength, curb thy fierce steeds, allay the heat That flames from their large nostrils! Thou, O Summer, Oft pitchest here thy golden tent, and oft Beneath our oaks hast slept, while we beheld With joy thy ruddy limbs and flourishing hair.
Every Night and every Morn Some to Misery are born. Every Morn and every Night Some are born to Sweet Delight, Some are born to Endless Night.
As the caterpillar chooses the fairest leaves to lay her eggs on, so the priest lays his curse on the fairest joys.
He who would do good to another must do it in minute particulars.
One day, I will be a poet. Water will depend on my visions.
This world is not one color or culture. Everybody has a story. To tell that story or see that story reflected through art is extremely valuable to the community. The arts belong to everyone and our work should reflect that diversity.
There is a movie called βFargoβ playing right now. It is a masterpiece. Go see it. If you, under any circumstances, see βLittle Indian, Big City,β I will never let you read one of my reviews again.
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
Any actor who judges his character is a fool - for every role you play you've got to absorb that character's motives and justifications.
You don't enter the theater and pay your money to be afraid. You enter the theater and pay your money to have the fears that are already in you when you go into a theater dealt with and put into a narrative.
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