To send light into the darkness of men's hearts - such is the duty of the artist.
Robert SchumannRead
I feel so entirely in my element with a full orchestra; even if my mortal enemies were marshalled before me, I could lead them, master them, surround them, or repulse them.
Interpretation
The quote expresses the profound connection and confidence the speaker feels when conducting an orchestra, suggesting that music transcends all conflicts.
In this quote, Robert Schumann conveys the deep sense of belonging and self-assurance he experiences while conducting a full orchestra. The imagery of facing mortal enemies juxtaposed with the power of music highlights the transformative nature of art, suggesting that in the realm of creativity, one can find strength and control that overcomes even the most daunting challenges.
In practice
This quote can inspire musicians preparing for a significant performance.
To send light into the darkness of men's hearts - such is the duty of the artist.
It was an unforgettable picture to see Chopin sitting at the piano like a clairvoyant, lost in his dreams; to see how his vision communicated itself through his playing, and how, at the end of each piece, he had the sad habit of running one finger over the length of the plaintive keyboard, as though to tear himself forcibly away from his dream.
I am so fresh in soul and spirit that life gushes and bubbles around me in a thousand springs.
Think it a vile habit to alter works of good composers, to omit parts of them, or to insert new-fashioned ornaments. This is the greatest insult you can offer to Art.
You write to become immortal, or because the piano happens to be open, or you've looked into a pair of beautiful eyes.
Endeavour to play easy pieces well and with elegance; that is better than to play difficult pieces badly.
Once an object has been incorporated in a picture it accepts a new destiny.
Nevertheless the passions, whether violent or not, should never be so expressed as to reach the point of causing disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music.
I have gathered a posy of other mens flowers and only the thread that bonds them is my own.
The moment always dictates in my work. What I feel, I do. This is the most important thing for me. Everybody can look, but they don't necessarily see. I never calculate or consider; I see a situation and I know that it's right, even if I have to go back to get the proper lighting.
There is no more difficult art to acquire than the art of observation, and for some men it is quite as difficult to record an observation in brief and plain language.
Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.
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