Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
David LynchRead
Eraserhead is my most spiritual movie. No one understands when I say that, but it is.
Interpretation
David Lynch considers 'Eraserhead' to be a deeply spiritual film, despite it being misunderstood by many.
In this quote, David Lynch expresses his belief that 'Eraserhead' transcends typical film narratives and connects with deeper spiritual themes. He acknowledges that this perspective may not be universally understood, but it highlights his personal connection to the film as a profound exploration of existence and consciousness.
In practice
During a film discussion, one might reference this quote to highlight how personal interpretations of art can differ.
Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
In todayβs world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.
My greatest joy comes from creativity: from feeling that I have been able to identify a certain aspect of human nature and crystallise a phenomenon in words.
Painting is not made to decorate apartments. It's an offensive and defensive weapon against the enemy. (about Guernica).
Adapting a novel is not really about being faithful to every word and every moment the author has created. It's more about that same story being filtered through somebody else's sensibility.
Basically, you make another movie, and another, and hopefully you feel good about every picture you make. And you say, 'My name is on that. I did that. It's OK.' But don't get me wrong, I still get excited by it all. That, I hope, will never disappear.
In my experience, when you're writing, you want the truth, and you don't want to be apologetic in any way. But there is something in writing, the complexity of it, that works against that aim.
The army from Asia introduced a foreign luxury to Rome; it was then the meals began to require more dishes and more expenditure . . . the cook, who had up to that time been employed as a slave of low price, become dear: what had been nothing but a metier was elevated to an art.
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