Even in fiction, I feel rigorous honesty applies. It doesn't apply to facts; it applies to what I think of as not telling emotional lies, which is a funny business.
Interpretation
The quote emphasizes the importance of emotional honesty in storytelling, even when the story itself is fictional.
Siri Hustvedt suggests that while fictional narratives may not be bound by factual accuracy, the essence of the story should maintain emotional truth. This idea reflects on the moral responsibility of writers to convey genuine feelings and experiences, allowing readers to connect authentically with the characters and scenarios presented, even in invented situations.
In practice
During a writing workshop, you might quote this to emphasize the importance of emotional honesty in character development.
Perception plays a vital role in the diagnosis of bipolar illness. Symptoms are perceived through the categories of psychiatric medicine at a given moment in history, categories which are continually shifting and being named or renamed.
Our memory fragments don't have any coherence until they're imagined in words. Time is a property of language, of syntax, and tense.
All human states are organic brain states - happiness, sadness, fear, lust, dreaming, doing math problems and writing novels - and our brains are not static.
I don't want the words to be naked the way they are in faxes or in the computer. I want them to be covered by an envelope that you have to rip open in order to get at. I want there to be a waiting time -a pause between the writing and the reading. I want us to be careful about what we say to each other. I want the miles between us to be real and long. This will be our law -that we write our dailiness and our suffering very, very carefully.
under our love making I felt a bleakness that couldnt be dispelled. The sadness was in both of us, and I think we pitied ourselves that night, as if we were other people looking down on the couple who lay together on the bed
People who grow up with two or more languages understand that each can express certain aspects of reality better than the other.
One day I visited a guy who had made a fortune as a broker. He was sitting in his office with his computer. I hire people from here and make deals from this room, he told me. Then he took me to the trading room. Nobody was talking to anybody else, the place was silent as a tomb, they were all sitting there watching their terminals - a great word, terminal. I tell you, it scares the crap out of me.
A fact is like a sack - it won't stand up if it's empty. To make it stand up, first you have to put in it all the reasons and feelings that caused it in the first place.
With Othello, Shakespeare posed this problem of a black man in a white society in the role that he's playing. And Shakespeare gave Othello such dignity - he came not from - as he said - not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character played.
If we don't stop somewhere, if we don't accept an unhappy compromise, unhappy for both sides, if we don't learn how to unhappily coexist and contain our burned sense of injustice - if we don't learn how to do that, we end up in a doomed state.
I like to recede away from classifications. You might say that indicates a fundamental lack of commitment. I suppose that's true to some degree.
What problem does Pan-Asianism attempt to solve? The problem is how to terminate the sufferings of the Asiatic peoples and how to resist the aggression of the powerful European countries. In a word, Pan-Asianism represents the cause of the oppressed Asiatic peoples.
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