You'll be on your way up! You'll be seeing great sights! You'll join the high fliers who soar to high heights.
Dr. SeussRead
I start drawing, and eventually the characters involve themselves in a situation. Then in the end, I go back and try to cut out most of the preachments.
Interpretation
The quote reflects the organic process of creativity where characters develop within a narrative, and the focus is on storytelling rather than moral lessons.
Dr. Seuss emphasizes the natural evolution of characters and stories in the creative process. He suggests that as he begins to draw and write, the characters find themselves in intriguing situations, leading to a story that unfolds its own moral organically, rather than being forced upon the audience. This indicates a preference for authentic storytelling over didacticism.
In practice
In a workshop on drawing for kids, this quote could inspire them to let their characters guide the story.
You'll be on your way up! You'll be seeing great sights! You'll join the high fliers who soar to high heights.
Today you are you! That is truer than true! There is no one alive who is you-er than you!
How true, how true" said the Sour Kangaroo, "And from now on, you know what I'm gonna do? I'm going to protect them with you!" And the Young Kangaroo in her pouch said "Me too!
If you never did you should. These things are fun and fun is good.
When you think things are bad, when you feel sour and blue, when you start to get mad... you should do what I do! Just tell yourself, Duckie, you're really quite lucky! Some people are much more... oh, ever so much more... oh, muchly much-much more unlucky than you!
I have heard there are troubles of more than one kind. Some come from ahead and some come from behind. But I've bought a big bat. I'm all ready you see. Now my troubles are going to have troubles with me!
Theatre has to be theatrical. It has to draw attention to itself, like poetry.
The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment.
The 3D world allows you to engage even more with a film because you're somehow drawn into the landscape or the universe of that scene. Even when it's two people talking at a table, you feel like you're a third party.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
Writers have to keep on writing if they want to mature, like caterpillars endlessly chewing on leaves.
I say to myself, 'I don't know how to act - and why does anybody want to look at me on-screen anymore?' ... Lots of actors feel that way. What gives you strength is also your weakness - your raging insecurity.
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