All worthy work is open to interpretations the author did not intend. Art isn't your pet -- it's your kid. It grows up and talks back to you.
Joss WhedonRead
I think everyone who makes movies should be forced to do television. Because you have to finish. You have to get it done, and there are a lot of decisions made just for the sake of making decisions. You do something because it's efficient and because it gets the story told and it connects to the audience.
Interpretation
Making movies can be a long process, but television requires completing stories efficiently to connect with audiences.
Joss Whedon emphasizes the importance of the efficiency and decisiveness that comes with working in television compared to film. He suggests that filmmakers would benefit from the constraints and immediacy of television, as it forces them to make practical decisions that prioritize storytelling and audience connection, thus enhancing their ability to create compelling narratives.
In practice
In a discussion about the differences between film and television at a film festival.
All worthy work is open to interpretations the author did not intend. Art isn't your pet -- it's your kid. It grows up and talks back to you.
Because it’s no longer enough to be a decent person. It’s no longer enough to shake our heads and make concerned grimaces at the news. True enlightened activism is the only thing that can save humanity from itself.
I designed 'Buffy' to be an icon, to be an emotional experience, to be loved in a way that other shows can't be loved. Because it's about adolescence, which is the most important thing people go through in their development, becoming an adult.
My dad would go to work every day and write in a room full of funny people. He enjoyed it. I know great writers who find the process agonising but to me, writing has always been sheer joy.
I loved the idea of a girl going into a dark alley, and a monster comes, and then she just aces him. It’s like, you want to see the tiny person suddenly take control. God, my whole career is basically about that!
Limitations are something that I latch onto - like working in genre, or if you're writing TV, there are act breaks, there's a length of time it's supposed to be. The restrictions of budget and sets can be really useful. When you can have everything, it's very hard to make things feel real and lived in.
Let the splendor of diamond, pearl and ruby vanish? Only let this one teardrop, this Taj Mahal, glisten spotlessly bright on the cheek of time, forever and ever.
Truly great actors carry their characters in silence with them. They communicate without words the relationships that predate the movie.
A woman drew her long black hair out tight, And fiddled whisper music on those strings, And bats with baby faces in the violet light Whistled, and beat their wings, And crawled head downward down a blackened wall.
...and the lamp having at last resigned itself to death. There was nothing now but firelight in the room, And every time a flame uttered a gasp for breath It flushed her amber skin with the blood of its bloom.
I cannot pursue my architecture without considering the minimization of energy consumption, simple and direct technologies, a respect for site, climate, place and culture. Together, these disciplines represent for me a fantastic platform for experimentation and expression. Of particular importance is the junction of the rational and the poetic resulting hopefully in works that resonate and belong to where they reside.
When he moves, a streetlight stabs him, and the words flow out like blood.
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