The next step in sculpture is motion.
Alexander CalderRead
When everything goes right a mobile is a piece of poetry that dances with the joy of life and surprise!
Interpretation
The quote describes how a mobile can evoke feelings of joy and beauty through its movement and design.
In this quote, Alexander Calder emphasizes the artistic nature of a mobile, suggesting that when it functions perfectly, it embodies poetry and embodies the essence of life's delight and unpredictability. The juxtaposition of art and motion highlights the emotional experience that can emerge from everyday objects when they are harmoniously crafted and animated.
In practice
This quote can be used during an art exhibition to express the beauty of kinetic sculpture.
The next step in sculpture is motion.
To most people who look at a mobile, it's no more than a series of flat objects that move. To a few, though, it may be poetry.
My whole theory about art is the disparity that exists between form, masses and movement.
To an engineer, good enough means perfect. With an artist, there's no such thing as perfect.
It is your work in life that is the ultimate seduction.
When I sing, I think mostly about the music. But I know that, through singing, my body shows everything that I am. I am a very passionate man and I suffer a lot and have a lot of joy also. In my opinion, it is very important for me to find this stimulus and motivation for singing.
When I have worries, fears or a love affair, I have the luck of being able to transform it into a poem.
And that's the soulful thing about playing: you offer something to somebody. You don't know if they'll like it, but you offer it.
I'm a musician, and I feel like musicians owe it to themselves and owe it to music to concern themselves with as much of music as interests them. Even if you decide that you're never going to compose, you will be a better performer if you concern yourself with the craft of composition.
Poetry is not Irish or any other nationality; and when writers such as Messrs. Clarke, Farren and the late F. R. Higgins pursue Irishness as a poetic end, they are merely exploiting incidental local colour.
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