I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.
Jimmy PageRead
It was an extraordinary connection, the synergy within the band. There was an area of ESP between Robert Plant, John Paul Jones, John Bonham, and myself.
Interpretation
The quote expresses a deep, intuitive bond among the members of the band Led Zeppelin.
In this quote, Jimmy Page reflects on the unique and extraordinary connection he shared with his bandmates in Led Zeppelin. He describes their synergy as a form of heightened communication or 'ESP', implying that they had an implicit understanding and a magical bond that allowed them to create music together seamlessly, almost intuitively.
In practice
This quote can be used in a speech at a music festival to highlight the importance of teamwork in creating great music.
I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.
Once I get onstage the tension explodes and I'm fine. I'm in another world - in a trance almost, doing what I love best, expressing myself through guitar.
I can communicate far better on a guitar than I can through my mouth.
I wanted to emulate music from America - young punks playing rock n' roll is what it was. I read part of Keith Richards' autobiography, and it was totally parallel with me, learning from American records.
I'm involved in all things musical. It's all consuming, even if it doesn't necessarily manifest as a record or a concert.
We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.
Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music, and there's no pomp and circumstance to the performance. There's no, like, 'I'll be the rock star, you be the adulating fan.'
Some kids went to the movies for escape. We found it with jazz. This is where we got religion. It was a kind of raw spiritual anarchy.
When I was a teenager, my biggest lessons came from Kenny Chesney, Tim McGraw, George Strait, Rascal Flatts and Brad Paisley. I learned so much from opening up for those artists, and it also taught me how to treat your opening acts and make them feel like they're part of a family, not just a tour.
I consider every drummer that ever played before me an influence, in every way.
Blues was my first love. It was the first thing where I said, 'Oh man, this is the stuff.' It just sounded so raw and honest, gut-bucket honest. From then I started rebelling.
Everyone who makes music is a good collaborator at their foundation because in order to make music, you have to connect to it in a way that other people can't.
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