Putting facts by the thousands, into the world, the toes take off with an appealing squeak which the thumping heel follows confidentially, the way men greet men. Sometimes walking is just such elated pumping.
Putting facts by the thousands, into the world, the toes take off with an appealing squeak which the thumping heel follows confidentially, the way me… - Lyn Hejinian
Putting facts by the thousands, into the world, the toes take off with an appealing squeak which the thumping heel follows confidentially, the way me…
- Lyn Hejinian
People must flatter their own eyes with their pathetic lives. The things I was saying followed logically the things that I had said before, yet bore … - Lyn Hejinian
People must flatter their own eyes with their pathetic lives. The things I was saying followed logically the things that I had said before, yet bore …
To some extent, each sentence has to be the whole story. - Lyn Hejinian
To some extent, each sentence has to be the whole story.
A fragment is not a fraction but a whole piece - Lyn Hejinian
A fragment is not a fraction but a whole piece
I was eventually to become one person, gathered up maybe, during a pause, at a comma. - Lyn Hejinian
I was eventually to become one person, gathered up maybe, during a pause, at a comma.
The idea of the person enters poetics where art and reality, or intentionality and circumstance, meet. - Lyn Hejinian
The idea of the person enters poetics where art and reality, or intentionality and circumstance, meet.
This poem is one of a series, all of them elegiac in intention, and subject to the strange forces of mourning that let loose illogical developments, … - Lyn Hejinian
This poem is one of a series, all of them elegiac in intention, and subject to the strange forces of mourning that let loose illogical developments, …
The 'open text' often emphasizes or foregrounds process, either the process of the original composition or of subsequent compositions by readers. - Lyn Hejinian
The 'open text' often emphasizes or foregrounds process, either the process of the original composition or of subsequent compositions by readers.
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