All worthy work is open to interpretations the author did not intend. Art isn't your pet -- it's your kid. It grows up and talks back to you.
Joss WhedonRead
I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
Interpretation
The quote expresses the author's motivation for writing and the joy that comes from connecting with fans.
In this quote, Joss Whedon reflects on the multifaceted reasons behind his writing. He writes not only as a means of personal expression and strength but also to embody characters and explore fears. The gratification he feels from the response of fans indicates that his work resonates deeply with his audience, validating his creative journey and the emotional depth of his storytelling.
In practice
In a discussion about the emotional impact of storytelling during a panel.
All worthy work is open to interpretations the author did not intend. Art isn't your pet -- it's your kid. It grows up and talks back to you.
Because it’s no longer enough to be a decent person. It’s no longer enough to shake our heads and make concerned grimaces at the news. True enlightened activism is the only thing that can save humanity from itself.
I designed 'Buffy' to be an icon, to be an emotional experience, to be loved in a way that other shows can't be loved. Because it's about adolescence, which is the most important thing people go through in their development, becoming an adult.
My dad would go to work every day and write in a room full of funny people. He enjoyed it. I know great writers who find the process agonising but to me, writing has always been sheer joy.
I loved the idea of a girl going into a dark alley, and a monster comes, and then she just aces him. It’s like, you want to see the tiny person suddenly take control. God, my whole career is basically about that!
Limitations are something that I latch onto - like working in genre, or if you're writing TV, there are act breaks, there's a length of time it's supposed to be. The restrictions of budget and sets can be really useful. When you can have everything, it's very hard to make things feel real and lived in.
All you can do is show people...You tell stories that are true and compelling.
There are dozens of young poets and fictioneers most of them a little insane in the tradition of James Joyce, who, however insane they may be, have refused to be genteel and traditional and dull.
The production of a work of art is determined by the material and intellectual climate in which a man lives and dies.
When it is working, you completely go into another place, you're tapping into things that are totally universal, completely beyond your ego and your own self. That's what it's all about.
It has been said that I have three heroes: Christ, Marx and Freud. This is reducing everything to formulae. In truth, my only hero is Reality. If I have chosen to be a filmmaker as well as a writer it is because, rather than expressing reality through those symbols that are words, I have preferred the cinema as a means of expression - to express reality through reality.
I would drive to gigs in my tiny little Fiat. I would shoot up and down the M1 to play at various places.
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