Fantasy is my genre and my home in the writing world. I consider it the biggest writing room in all literature, where there are literally no boundaries at all.
Interpretation
Fantasy allows limitless creativity and expression in writing.
In this quote, Robin Hobb expresses her deep connection to the fantasy genre, portraying it as a vast and unrestricted space for writers. She emphasizes that within the realm of fantasy, creators can explore their imaginations without limitations, fostering an environment where anything is possible in storytelling.
In practice
In a discussion about the value of creative writing during a literary event.
As I apologized to her a flicker of panic raced through me and then faded away. There wasn't enough life left in me to panic. I'd made a mistake and I was dying. Apparently not even a Speck afterlife was available to me. I'd simply stop being. Apparently I hadn't died correctly. Oops.
That is the challenge Companion. To take what has happened to you and learn from it. Nothing is quite so destructive as pity, especially self-pity. No event in life is so terrible that one cannot rise above it.
Start writing sooner. Don't wait for permission. Don't hesitate.
I healed. Not completely. A scar is never the same as good flesh, but it stops the bleeding.
If a man does not die of a wound, then it heals in some fashion, and so it is with loss. From the sharp pain of immediate berevement, both the Prince and I passed into the gray days of numb bewilderment and waiting. So grief has always seemed to me, a time of waiting not for the hurt to pass, but to become accustomed to it.
I wonder if I can write this history, or if on every page there will be some sneaking show of a bitterness I thought long dead. I think myself cured of all spite, but when I touch pen to paper, the hurt of a boy bleeds out with the sea-spawned ink, until I suspect each carefully formed black letter scabs over some ancient scarlet wound.
The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
In my opinion, trying to guess what readers want is the wrong approach. You have to tell your story as best you can and as true to yourself as possible. You have to be honest and fair and vulnerable and foolish and brave, and not care what anyone thinks of it.
The provincial intellectual is doomed to arguing at low level... there is still no Australian literary world, not in Sydney, Melbourne, Adelaide. It is some consolation to realise that there is no literary world in Birmingham or Los Angeles either. I have heard there is one in Montreal, but I don't believe it. The literary world is in London and New York, the only cities big enough to sustain magazines which can afford to reject copy.
Searching for music is like searching for God. They're very similar. There's an effort to reclaim the unmentionable, the unsayable, the unseeable, the unspeakable, all those things, comes into being a composer and to writing music and to searching for notes and pieces of musical information that don't exist.
Growing up going to Christian school and the concept that you're born a sinner and you don't really have a choice to change who you are has been hammered into my head and created the entire reason why I made art and made a band and made records called 'Antichrist Superstar.'
If you find yourself asking yourself (and your friends), "Am I really a writer? Am I really an artist?" chances are you are. The counterfeit innovator is wildly self-confident. The real one is scared to death.
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