Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later.
Diana VreelandRead
I wasn't a fashion editor. I was the one and only fashion editor.
Interpretation
Diana Vreeland emphasizes her unique role and individuality in the world of fashion.
This quote by Diana Vreeland captures her confidence and distinctiveness as a fashion editor. By stating that she was the 'one and only' fashion editor, she highlights her unmatched contribution and unique vision in the fashion industry, suggesting that true greatness lies in individuality and personal expression.
In practice
During a fashion seminar, to inspire aspiring editors about the importance of individuality in their work.
Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later.
Don't look back. Just go ahead. Give ideas away. Under every idea there's a new idea waiting to be born.
Allure is a word very few people use nowadays, but it's something that exists. Allure holds you, doesn't it? Whether it's a gaze or a glance in the street or a face in the crowd or someone sitting opposite you at lunch... you are held
There’s only one thing in life, and that’s the continual renewal of inspiration.
You gotta have style to get up in the morning
You gotta have style. It helps you get down the stairs. It helps you get up in the morning. It's a way of life. Without it, you're nobody.
Jacques Tati is the great philosophical tinkerer of comedy, taking meticulous care to arrange his films so that they unfold in a series of revelations and effortless delights.
Almost 70 years have gone by, and I've still got that feeling when I write... Writing, for me, is still it. It has always been the basis of everything I do. I'm a writer who performs, not a performer who writes. I love the act of writing. It's still a thrill for me.
I have had three masters, Nature, Velasquez, and Rembrandt.
You have to write the story that's at the front of your head. There is no point in trying to write for the market; it won't ring true.
Playing dress up begins at age 5 and never really ends.
I don't choose to make low-budget films. But that is the reality of surviving in the Japanese film industry. However, the trade off is, since we're working on small budgets, we have freedom. You can't buy this freedom with money. With this freedom, I think there are an infinite number of possibilities.
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