As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
what cannot be saved when fate takes, patience her injury a mockery makes
Interpretation
The quote reflects on the inevitability of fate and how patience can turn suffering into mockery.
In this quote, Shakespeare illustrates the theme of fate's uncontrollable nature, suggesting that when one loses something to destiny, the emotional toll of waiting can lead to further suffering. The notion of patience turning into mockery emphasizes how waiting for something that is lost can lead to additional pain, as it is a reminder of what is no longer attainable.
In practice
This quote can be used in a speech about overcoming adversity and the challenges of accepting loss.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
It's interesting because I think class is a heavy, heavy part of 'Moonlight,' and I think, in a certain way, through the sum of all these parts, it's become a commentary on the black experience in America.
'My country, right or wrong' is a thing no patriot would ever think of saying except in a desperate case. It is like saying 'My mother, drunk or sober.'
Nothing is to be preferred before justice.
A man is not aware of his virtues (if any). Nevertheless, one hopes that they exist.
The true life is not reducible to words spoken or written, not by anyone, ever.
Down in the city are the nice houses and the so-so houses and the lovers making out in dark yards and the babies crying for their moms, and I wonder if, other than Jesus, has this ever happened before. Maybe it happens all the time. Maybe there's angry dead all over, hiding in rooms, covered with blankets, bossing around their scared, embarrassed relatives. Because how would we know?
Subscribe for the occasional hand-picked quote. No noise.