Just as there is no substitute for original works of art, there is no substitute for the world of direct sensual experience.
Paul MellonRead
It was my father's hope, and it is ours, that the National Gallery would become not a static but a living institution, growing in usefulness and importance to artists, scholars and the general public.
Interpretation
What this quote means
The quote expresses a desire for the National Gallery to be dynamic and beneficial to various groups rather than a mere static display.
In this quote, Paul Mellon emphasizes the importance of the National Gallery's role as an evolving institution that serves not only as a repository of art but also as an active resource for artists, scholars, and the public. He conveys the belief that galleries should continuously grow and adapt, enhancing their relevance and contribution to society over time.
Themes
National GalleryArtInstitutionGrowthUsefulness
In practice
Example use cases
This quote can be used in a speech about the importance of museums in society.
More from Paul Mellon
All quotes →Similar quotes
Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.
Rudolf ArnheimRead
I've had to make the transition from sweeping in for 15 minutes, doing my stuff and clearing out, to carrying a movie for the duration - in a dress.
Philip Seymour HoffmanRead
The challenge for a nonfiction writer is to achieve a poetic precision using the documents of truth but somehow to make people and places spring to life as if the reader was in their presence.
Simon SchamaRead
Art has a double face, of expression and illusion, just like science has a double face: the reality of error and the phantom of truth.
Rene DaumalRead
I've read a lot of really great characters in some really crappy stories, where I said, like, 'Boy I could shine here, but the story sucks.' I don't want to be part of that.
Matthew McconaugheyRead
I wept when the muse Ulla bent over me. Blinded by tears I could not prevent her from kissing me, I could not prevent the Muse from giving me that terrible kiss. All of you who have ever been kissed by the Muse will surely understand that Oskar, once branded by that kiss, was condemned to take back the drum he had rejected years before, the drum he had buried in the sand of Sapse Cemetery.
Gunter GrassRead