If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
Anton ChekhovRead
I swear fearfully at the conventions of the stage.
Interpretation
What this quote means
Chekhov expresses his disdain for theatrical conventions, emphasizing the struggle between authenticity and tradition.
In this quote, Anton Chekhov articulates a deep frustration with the established norms and conventions of theater. He indicates that such conventions hinder genuine expression and creativity, provoking a sense of fear in those who seek to break free from the limitations imposed by traditional storytelling. This reflects a broader critique of art forms that prioritize adherence to form over innovative interpretation.
Themes
TheaterConventionAuthenticityCreativityExpression
In practice
Example use cases
In a discussion about modern theater, one might quote Chekhov to emphasize the need for innovation.
More from Anton Chekhov
All quotes βThere are still many more days of failure ahead, whole seasons of failure, things will go terribly wrong, you will have huge disappointments , but you have to prepare for that, you have to expect it and be resolute and follow your own path.
Anton ChekhovRead
Any idiot can face a crisis - it's day to day living that wears you out.
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To a chemist, nothing on earth is unclean. A writer must be as objective as a chemist; he must abandon the subjective line; he must know that dungheaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones.
Anton ChekhovRead
When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief.
Anton ChekhovRead
Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
Anton ChekhovRead
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