My feeling is that poetry will wither on the vine if you don't regularly come back to the simplest fundamentals of the poem: rhythm, rhyme, simple subjects - love, death, war.
Interpretation
Poetry requires a return to its basic elements to thrive.
James Fenton emphasizes the importance of foundational aspects in poetry, such as rhythm and rhyme, suggesting that without revisiting these core elements and universal themes like love, death, and war, poetry may lose its essence and vitality. He argues that to keep poetry alive and relevant, one must engage with its simplest, most fundamental characteristics.
In practice
In a poetry workshop, a teacher might use this quote to encourage students to focus on the basics of poetic composition.
If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in the song. You're going to hear it in series, and you can't skip back.
The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where "open form" or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term "heightened speech".
In the writing of poetry we never know anything for sure. We will never know if we have 'trained' or 'practised' enough. We will never be able to say that we have reached grade eight, or that we have left the grades behind and are now embarked on an advanced training.
What I want, when I write a poem, is no more than this: that it be preserved in some published form so that, in principle, someone, somewhere, will be able to find it and read it. That is all I need, as a poet, and that is the beauty, the luxury of my position. My lyric is mine and remains mine. Nobody can ruin it.
'What is this', and 'How is this done?' are the first two questions to ask of any work of art. The second question immediately illuminates the first, but it often doesn't get asked. Perhaps it sounds too technical. Perhaps it sounds pedestrian.
I see my finished platinum print (in the viewfinder) in all its desired qualities, before my exposure.
Fiction—and poetry and drama— cleanse the doors of perception.
Glamour is an imaginative process that creates a specific emotional response: a sharp mixture of projection, longing, admiration, and aspiration. It evokes an audience's hopes and dreams and makes them seem attainable, all the while maintaining enough distance to sustain the fantasy.
To understand bad taste one must have very good taste.
Great art transcends its culture and touches on that which is eternal.
The whole world, as we experience it visually, comes to us through the mystic realm of color.
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