Guided only by their feeling for symmetry, simplicity, and generality, and an indefinable sense of the fitness of things, creative mathematicians now, as in the past, are inspired by the art of mathematics rather than by any prospect of ultimate usefulness.
Interpretation
Creative mathematicians are driven by aesthetic values rather than practical applications.
In this quote, Eric Temple Bell highlights the intrinsic motivation of mathematicians who pursue the beauty and elegance of mathematics itself. He argues that their work is inspired more by artistic principles such as symmetry, simplicity, and generality than by the practical usefulness of their findings, suggesting that the joy of creation and discovery in mathematics parallels that in the arts.
In practice
In a lecture about the beauty of mathematics, this quote could be used to express the artistic nature of mathematical study.
In his wretched life of less than twenty-seven years Abel accomplished so much of the highest order that one of the leading mathematicians of the Nineteenth Century could say without exaggeration, "Abel has left mathematicians enough to keep them busy for five hundred years." Asked how he had done all this in the six or seven years of his working life, Abel replied, "By studying the masters, not the pupils."
The full impact of the Lobachevskian method of challenging axioms has probably yet to be felt. It is no exaggeration to call Lobachevsky the Copernicus of Geometry [as did Clifford], for geometry is only a part of the vaster domain which he renovated; it might even be just to designate him as a Copernicus of all thought.
If a lunatic scribbles a jumble of mathematical symbols it does not follow that the writing means anything merely because to the inexpert eye it is indistinguishable from higher mathematics.
Abstractness, sometimes hurled as a reproach at mathematics, is its chief glory and its surest title to practical usefulness. It is also the source of such beauty as may spring from mathematics.
Any impatient student of mathematics or science or engineering who is irked by having algebraic symbolism thrust upon him should try to get along without it for a week.
Culture is perishing in overproduction, in an avalanche of words, in the madness of quantity.
The odd thing about being a writer is you do tend to lose yourself in your books. Sometimes it seems like real life is flickering by and you're hardly a part of it. You remember the events in your books better than you remember the events that actually took place when you were writing them.
With almost no exceptions, art by men is much more expensive than art by women. Even great women artists, like Louise Bourgeois and Lee Krasner, are only fully embraced very late in their career.
The second-hand artist blindly following his sensei or sifu accepts his pattern. As a result, his action is and , more importantly, his thinking become mechanical. His responses become automatic, according to set patterns, making him narrow and limited.
My life is, in a sense, trash. My life is only that of which the residue is my writing.
The body is your instrument in dance, but your art is outside that creature, the body.
Subscribe for the occasional hand-picked quote. No noise.