In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
Frances McdormandRead
Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
Interpretation
Female characters in literature are complex and authentic, while film often portrays them less richly.
Frances McDormand highlights the disparity between female character representation in literature and film. While literary female characters tend to be well-rounded, flawed, and realistic, film often simplifies or idealizes them, stripping away their depth and complexity, which diminishes the richness of their stories and experiences.
In practice
This quote can be used in a discussion on gender representation in media.
In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
That's another great thing about getting older. Your life is written on your face.
There's only two givens with choosing acting as a profession: one is you will always be unemployed, always, and it doesn't matter how much money you make, you're still always going to be unemployed; and that you have no power.
My feminist training was that this was your goal, to be a self-sufficient woman, but that is a miscalculation. It's just not the way we work. We work in dialogue with the community.
I think that cosmetic enhancements in my profession are just an occupational hazard. But I think, more culturally, I'm interested in starting the conversation about aging gracefully and how, instead of making it a cultural problem, we make it individuals' problems.
I was always a storyteller. I just didn't know it. I never shared the stories I made up inside my head when I was growing up. I never wrote them down, either. But I can't remember a time when they weren't there.
If a poet has a dream, it is not of becoming famous, but of being believed.
At 6 years old, the ice became a place for me to express myself. Because I was so shy off the ice, it became my safe haven, with music and freedom and self-expression. That was my emotional outlet.
Music is perpetual, and only the hearing is intermittent.
At some point you have to believe that the inadequacies of the words you use will be transcended by the faith with which you use them. You have to believe that poetry has some reach into reality itself, or you have to go silent.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
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