Fill your paper with the breathings of your heart.
Interpretation
Express your true feelings and thoughts in your work.
This quote by William Wordsworth encourages individuals to channel their genuine emotions and personal experiences into their creative expressions. It suggests that authentic art comes from a deep connection to one's inner self, and that vulnerability in sharing those feelings can resonate powerfully with others.
In practice
In an art class, this quote can inspire students to create with passion.
For mightier far_x000D_ _x000D_ Than strength of nerve or sinew, or the sway_x000D_ _x000D_ Of magic potent over sun and star,_x000D_ _x000D_ Is love, though oft to agony distrest,_x000D_ _x000D_ And though his favourite be feeble woman's breast.
By all means sometimes be alone; salute thyself; see what thy soul doth wear; dare to look in thy chest; and tumble up and down what thou findest there.
There was a time when meadow, grove, and stream,_x000D_ _x000D_ The earth, and every common sight,_x000D_ _x000D_ To me did seem_x000D_ _x000D_ Apparelled in celestial light,_x000D_ _x000D_ The glory and the freshness of a dream.
Books are yours, Within whose silent chambers treasure lies Preserved from age to age; more precious far Than that accumulated store of gold And orient gems, which, for a day of need, The Sultan hides deep in ancestral tombs. These hoards of truth you can unlock at will.
The world is too much with us; late and soon, Getting and spending, we lay waste our powers: Little we see in Nature that is ours; We have given our hearts away, a sordid boon! The Sea that bares her bosom to the moon; The winds that will be howling at all hours, And are up-gathered now like sleeping flowers; For this, for everything, we are out of tune.
Shalt show us how divine a thing A woman may be made.
Fantasy isn't just a jolly escape: It's an escape, but into something far more extreme than reality, or normality. It's where things are more beautiful and more wondrous and more terrifying. You move into a world of conflicting extremes.
When you play a sax, that saxophone is irreverent. It's noisy; it's a trickster... you cannot hide the saxophone in your hands, so it's a good teacher.
It's always a nice feeling, having people think that you feel things much deeper than you're allowed to say, but this isn't true. If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.
It's tricky when you're doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don't have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice.
No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling, even if it be only the faintest shadow - and if it does not do so it is bad art and false morals.
It's not what you see that is art. Art is the gap.
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