I have a one-track mind. That's all that I'm interested in - love. And the lack of it. When it stops.
John CassavetesRead
My films are expressive of a culture that has had the possibility of attaining material fulfillment while at the same time finding itself unable to accomplish the simple business of conducting human lives. We have been sold a bill of goods as a substitute for life. What is needed is reassurance in human emotions; a re-evaluation of our emotional capacities.
Interpretation
The quote critiques modern materialism and emphasizes the importance of human emotions and relationships.
John Cassavetes reflects on a culture that has achieved material success yet struggles with the complexities of meaningful human existence. He argues that society often substitutes material possessions for real emotional connections, highlighting a need for a reassessment of how we engage with our emotions and one another to truly experience life.
In practice
In a speech discussing film's impact on society.
I have a one-track mind. That's all that I'm interested in - love. And the lack of it. When it stops.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
There is no reason why a serious film, one about life, can't be enjoyable, maybe even fun. Emotions can be very entertaining, you know. I try to use them generously in my films.
My parents allowed their two sons to be individuals. My family was a wild and wonderful place, with lots of friends and neighbors visiting and talking loud and eating loud and nobody telling the children to be quiet or putting them down.
There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.
As an artist, I feel that we must try many things - but above all we must dare to fail.
What then in the last resort are the truths of mankind? They are the irrefutable errors of mankind.
Tyler lies back and asks, "If Marilyn Monroe were alive right now, what would she be doing?" I say, goodnight. The headliner hangs down in shreds from the ceiling and Tyler says, "Clawing at the lid of her coffin.
Where the soul is full of peace and joy, outward surrounding and circumstances are of comparatively little account.
But why doesn't the Gospel ever say that Christ laughed?" I asked, for no good reason. "Is Jorge right?" "Legions of scholars have wondered whether Christ laughed. The question doesn't interest me much. I believe he never laughed, because, omniscient as the son of God had to be, he knew how we Christians would behave. . . .
Genetically influenced behavior is not necessarily good and not necessarily unchangeable. Explanations of bad behavior that appeal to genes do not absolve a person any more than do explanations that appeal to upbringing.
This life in us; however low it flickers or fiercely burns, is still a divine flame which no man dare presume to put out, be his motives never so humane and enlightened; To suppose otherwise is to countenance a death-wish; Either life is always and in all circumstances sacred, or intrinsically of no account; it is inconceivable that it should be in some cases the one, and in some the other.
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