My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
Interpretation
Abbas Kiarostami reflects on his filmmaking style, emphasizing simplicity by removing unnecessary elements.
In this quote, Abbas Kiarostami expresses how his approach to filmmaking has naturally evolved towards minimalism over time. He suggests that through a process of elimination, he focuses only on the essential elements of storytelling, leading to a purer and more impactful cinematic experience, even though this evolution was not a deliberate choice initially.
In practice
During a film discussion, one could quote Kiarostami while analyzing trends in modern cinema.
Digital photography is, by definition, unfinished. You don't feel that after every 24 or 36 shots you have to change your film - you know you can go on for ever if you want. You can see the result immediately, and find out if your original idea is worth going on with or not, whether it can be corrected, whether it can be improved.
When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
Good cinema is what we can believe, and bad cinema is what we can't believe.
As film-makers, it is very important for us to find common ground between cultures, and maybe that's less the case for politicians who benefit more from finding the conflicts and differences between us.
Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
Everything we see hides another thing, we always want to see what is hidden by what we see.
Whatever one wishes to say, there is one noun only by which to express it, one verb only to give it life, one adjective only which will describe it. One must search until one has discovered them, this noun, this verb, this adjective, and never rest content with approximations, never resort to trickery, however happy, or to vulgarism, in order to dodge the difficulty.
Nothing is lost and nothing is created in the operations of art as those of nature.
The power of story and the power of a well-crafted film or television show is really all you need to speak to people. I think Hollywood is sort of catching up to that.
Musical comedies aren't written, they are rewritten.
Music happens to be an art form that transcends language.
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