Tonight, tonight, won't be just any night. Tonight there will be no morning star.
Stephen SondheimRead
You move just a finger, say the slightest word, something's bound to linger-be heard.
Interpretation
Even the smallest action or word can have a lasting impact.
This quote by Stephen Sondheim highlights the significant influence that our minor actions and words can have on others. It suggests that no matter how small or seemingly insignificant our gestures may be, they can leave an impression and resonate in ways we might not immediately realize.
In practice
A teacher can use this quote to inspire students about the importance of their words in classroom discussions.
Tonight, tonight, won't be just any night. Tonight there will be no morning star.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Musical comedies aren't written, they are rewritten.
Let Pirelli's / Miracle Elixir / Activate your roots, sir... Keep it off your boots, sir- / Eats right through. Yes, get Pirelli's! / Use a bottle of it! / Ladies seem to love it... Flies do, too!
Art, in itself, is an attempt to bring order out of chaos.
Careful the spell you cast, not just on children. Sometimes the spell may last Past what you can see And turn against you... Careful the tale you tell. That is the spell.
The art, the greatness of the music, the experience of the music is what I'm about. I think most African artists have destroyed their artistry by commercialization, and I don't want to belong to that bag.
A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
As naturally as the oak bears an acorn and the vine a gourd, man bears a poem, either spoken or done.
The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically.
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary - it's always imaginary - world in which I would like to live.
I've always loved the idea that you think you know what you're looking at from a distance, yet when you come up close, it gets intricate and nutty and obscene and provocative.
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