I consider the first 20 performances just learning the piece. Think about it this way: If you think about a pianist who plays a Schubert sonata through his whole lifetime - if you listen to Rubenstein or Horowitz playing their repertoire later in their life, you understand the richness with which they play that music, and how differently they must have played it when they were younger.
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I think it's a great handicap to be discovered at an early age. I didn't have that burden of early success. I had the much more livable and durable career where success comes late, and comes slowly, and you ease into it. So by the time it comes, you're ready to deal with it.
I don't know what I'm doing and it's the not knowing that makes it interesting.
You get up early in the morning and you work all day. That’s the only secret.
You practice and you get better. It's very simple.
A new language requires a new technique. If what you're saying doesn't require a new language, then what you're saying probably isn't new.
The work I've done is the work I know, and the work I do is the work I don't know. I don't know what I'm doing.
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