But I'm kind of comfortable with getting older because it's better than the other option, which is being dead. So I'll take getting older.
George ClooneyRead
When you first start out as an actor, you're just looking for a good part. As time goes on, if you're being held responsible for the movies themselves, you're looking for a good script all around.
Interpretation
The quote emphasizes the evolution of an actor's priorities from seeking roles to focusing on the overall quality of the projects.
George Clooney reflects on the journey of an actor, illustrating how initial aspirations are centered around landing good roles, but as one gains experience and responsibility in the industry, the focus shifts to the quality of the entire film project. This highlights the growth and maturation one undergoes in their craft, emphasizing a deeper appreciation for storytelling and collaboration over mere individual accolades.
In practice
Use this quote during a film class to discuss the evolution of an actor's career.
But I'm kind of comfortable with getting older because it's better than the other option, which is being dead. So I'll take getting older.
You never really learn much from hearing yourself talk.
My biggest fear is doing the same things 10 years from now. That would be a failure. It's something you have to constantly reassess, and asking yourself what you are going to do next makes it a good, long full journey.
I had my Aunt Rosie, who was famous and then not, so I got a lesson in fame early on. And I understood how little it has to do with you. And also how you could use it.
I've been my most happy and my most unhappy in relationships. I have family and friends and people I care very much about. I've got a really, really, really good life.
It's possible for me to make a bad movie out of a good script, but I can't make a good movie from a bad script.
I'm not a politician. I don't know how to solve the problems of the world. But as an artist, I have one duty: to ask questions.
Elemental Music is never just music. It's bound up with movement, dance and speech, and so it is a form of music in which one must participate, in which one is involved not as a listener bust as a co-performer.
Without dance, a man can do nothing.
I want young Indian composers to be able to do more than just film music. I want to give them the skills that will enable them to create their own palette of sounds instead of having to write formulaic music. It doesn't matter if they become sound engineers, producers, composers or performers - I want them to be as imaginative as they like.
What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.
If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.
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