When I went to first grade and the other children said that their fathers were farmers, I simply didn't believe them. I agreed in order to be polite, but in my heart I knew that those men were impostors, as farmers and as fathers, too. In my youthful estimation, Laurence Cook defined both categories. To really believe that others even existed in either category was to break the First Commandment.
Interpretation
The quote reflects a child's perspective on identity and belief, questioning the authenticity of others' experiences.
In this quote, Jane Smiley illustrates a young child's unique understanding of identity, particularly in relation to the roles of fathers and farmers. The speaker expresses disbelief at their peers' claims about their fathers, suggesting a deep-seated notion of what constitutes genuine identity and authority. This perspective reveals the complexity of childhood belief systems and challenges the idea of societal norms and expectations. Through this reflection, Smiley invites readers to consider how subjective experiences shape our understanding of reality.
In practice
In a discussion about childhood experiences, this quote can highlight how our beliefs shape our view of others.
I say, when your hair turns gray and your children think they know who you are, do the thing that shakes up who you think you are, even who you had prided yourself on being. When all those around you say they simply don't recognize you any longer, that's the real compliment.
When a novel has 200,000 words, then it is possible for the reader to experience 200,000 delights, and to turn back to the first page of the book and experience them all over again, perhaps more intensely.
Not every novel that wants to be a tragedy gets to be one.
I was depressed, but that was a side issue. This was more like closing up shop, or, say, having a big garage sale, where you look at everything you've bought in your life, and you remember how much it meant to you, and now you just tag it for a quarter and watch 'em carry it off, and you don't care. That's more like how it was.
Somehow, knowing that Alzheimer's is coming mocks all one's aspirations - to tell stories, to think through certain issues as only a novel can do, to be recognised for one's accomplishments and hard work - in a way that old familiar death does not.
The novel as a form is usually seen to be moral if its readers consider freedom, individuality, democracy, privacy, social connection, tolerance and hope to be morally good, but it is not considered moral if the highest values of a society are adherence to rules and traditional mores, the maintenance of hierarchical relationships, and absolute ideas of right and wrong. Any society based on the latter will find novels inherently immoral and subversive.
However passionate, sinning, and rebellious the heart hidden in the tomb, the flowers growing over it peep serenely at us with their innocent eyes; they tell us not of eternal peace alone, of that great peace of "indifferent" nature: they tell us, too, of eternal reconciliation and of life without end.
Just as King Midas turned everything to gold, Stalin turned everything to mediocrity.
If our circumstances find us in God, we shall find God in all our circumstances.
The salvation of mankind lies only in making everything the concern of all.
Remembrance of things past is not necessarily the remembrance of things as they were.
The greatest dread of ordinary man is death, with its rude imposition interrupting fortuitous plans and fondest attachments with an unknown and unwelcome change. The yogi is a conqueror of the grief associated with death. By control of mind and life force and the development of wisdom, he makes friends with the change of consciousness called death-he becomes familiar with the state of inner calmness and aloofness from identification with the mortal body.
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