The first play I did was 'Philadelphia Here I Come.' Can you imagine that? I am 37 years old I am doing my second professional play and I am on stage with John Malkovich. Joan Allen, Laurie Metcalf and Gary Sinise. One huge name after another. I was terrified and petrified, could hardly get a word out of my mouth.
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I'm not intimidated by other actors at all - or directors. I don't care who they are. But I am intimidated by writers. I hold them in the highest esteem.
I've played a lot of roles I haven't wanted to play, either because they needed someone in the theatre or because they couldn't do it without me 'cause they don't have anyone else the right age.
People say there's no trace of an accent anymore, and there isn't because I worked very hard to lose it. And the reason I did that is a British accent in America is a real status symbol.
So much luck! I'm not putting myself down, I'm not saying I don't have talent - I must have, to have got this far - but I honestly believe that some of the greatest actors in America are tending bar and waiting tables and driving taxis, and it will never happen for them.
My first acting class was taught by a little known playwright, David Mamet, who then cast me in my first play, opposite John Malkovich.
I don't take much from my own father, because he was a very austere, quiet, private man who would come home from work, go to his parlour and play Beethoven on his piano.
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