My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally went to a summer workshop before my senior year with people like Sam Shepard and Maria Irene Fornes who encouraged me to write from my subconscious, and suddenly all this material about culture clash came out.
Interpretation
Success comes from perseverance and guidance, even from failure.
David Henry Hwang's reflection on his early experiences as a playwright emphasizes the importance of mentorship and persistence in the creative process. He acknowledges that despite the poor quality of his initial works, the belief of a supportive teacher and the encouragement from accomplished peers allowed him to tap into deeper, more authentic expressions of his experiences, leading to impactful material about cultural clashes.
In practice
In a speech about the importance of arts education, this quote could highlight how mentorship shapes young artists.
There was all this talk when Obama got elected about how we were living in a postracial world. But we're not. Until we get to the point where James Earl Jones can play, say, George Washington, race matters. You wouldn't put a white actor in blackface to play Othello. You shouldn't have a white actor in what amounts to yellowface to play Asian.
As Asian-Americans, the charge that is often lobbed against us is sort of the least original: the idea that somehow we're perpetual foreigners, that we can't be trusted, and that even my father, who was patriotic to the point that it was kind of a joke among his children, would be accused of being disloyal to America.
You can't be a playwright without believing there's an audience for adventurous work.
My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, everybody feels obligated to make sure that it represents his own point of view.
This is the ultimate cruelty, isn't it? That I can talk and talk and to anyone listening, it's only air--too rich a diet to be swallowed by a mundane world.
I find above all that the expression, atonal music, is most unfortunate — it is on a par with calling flying the art of not falling, or swimming the art of not drowning.
Photography is a brief complicity between foresight and luck.
To me, art is the capacity to experience one's innocence: craft is how you get to that point. Maturity in a musician would be the point at which one is innocent at will. At that point the relationship between music and the musician is direct and reliable._x000D_ The relationship with music is always mysterious: when it works, you can never tell. You can never guarantee when it's going to work. You can only to put yourself in a place where it's more likely to happen.
You don't write a song to sit there on a page. You write it to sing it.
I write what I don't know. It's way more interesting.
The only emperor is the emperor of ice cream.
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