The work an unknown good man has done is like a vein of water flowing hidden underground, secretly making the ground green.
Thomas CarlyleRead
Have not I myself known five hundred living soldiers sabred into crows' meat for a piece of glazed cotton, which they call their flag; which had you sold it at any market-cross, would not have brought above three groschen?
Interpretation
The quote critiques the value placed on national symbols compared to the sacrifices made by soldiers.
Thomas Carlyle's quote reflects on the absurdity of nationalism and the high cost of war paid by soldiers for something as seemingly trivial as a flag. It questions the true worth of symbols that can incite valor and sacrifice, suggesting that the lives lost are disproportionately valued compared to the objects that represent a nation.
In practice
In a speech discussing the costs of war, one might use this quote to highlight the human toll versus the value of symbols.
The work an unknown good man has done is like a vein of water flowing hidden underground, secretly making the ground green.
Thirty millions, mostly fools.
There is a great discovery still to be made in literature, that of paying literary men by the quantity they do not write.
For the superior morality, of which we hear so much, we too would desire to be thankful: at the same time, it were but blindness to deny that this superior morality is properly rather an inferior criminality, produced not by greater love of Virtue, but by greater perfection of Police; and of that far subtler and stronger Police, called Public Opinion.
Enjoying things which are pleasant; that is not the evil; it is the reducing of our moral self to slavery by them that is.
Clean undeniable right, clear undeniable might: either of these once ascertained puts an end to battle. All battle is a confused experiment to ascertain one and both of these.
It is almost as if the human brain were specifically designed to misunderstand Darwinism, and to find it hard to believe
The madness of mobs or the insolence of soldiers, or both, when too near to each other, occasion some mischief.
If you believe, as the Greeks did, that man is at the mercy of the gods, then you write tragedy. The end is inevitable from the beginning. But if you believe that man can solve his own problems and is at nobody's mercy, then you will probably write melodrama.
My life is not this steeply sloping hour, in which you see me hurrying. Much stands behind me; I stand before it like a tree; I am only one of my many mouths, and at that, the one that will be still the soonest. I am the rest between two notes, which are somehow always in discord because Death’s note wants to climb over— but in the dark interval, reconciled, they stay there trembling. And the song goes on, beautiful.
The people must fight for their laws as for their walls.
I don't necessarily agree with everything I say.
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