Flesh was the reason why oil painting was invented
Interpretation
The quote highlights the importance of human form in the evolution of oil painting.
Willem De Kooning's statement underscores the significance of the human body as a central theme in art, particularly oil painting. It suggests that the physicality and complexity of flesh inspired artists to develop and refine techniques in this medium, making the representation of the human figure a driving force behind artistic innovation and expression.
In practice
This quote could be used in an art class to discuss the evolution of painting techniques.
I paint the way I do because I can keep on putting more and more things in - like drama, pain, anger, love, a figure, a horse, my ideas of space. It doesn't matter if it differs from mine, as long as it comes from the painting, which has its own integrity and intensity.
The attitude that nature is chaotic and that the artist puts order into it is a very absurd point of view, I think. All that we can hope for is to put some order into ourselves.
I don't paint to live, I live to paint.
Spiritually I am wherever my spirit allows me to be, and that is not necessarily in the future... Art never seems to make me peaceful or pure.
Im not someone whos ever said anything definitive about his work. In my life also I have very little fixed form. I can change overnight.
Art should not have to be a certain way.
When I'm making stuff, the thing that excites me most is not the result, but the process and trying to do something I've never done before.
A folk song is what's wrong and how to fix it or it could be _x000D_ who's hungry and where their mouth is or _x000D_ who's out of work and where the job is or _x000D_ who's broke and where the money is or _x000D_ who's carrying a gun and where the peace is.
Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.
A poem, as a manifestation of language and thus essentially dialogue, can be a message in a bottle, sent out in the βnot always greatly hopeful-belief that somewhere and sometime it could wash up on land, on heartland perhaps. Poems in this sense too are under way: they are making toward something. Toward what? Toward something standing open, occupiable, perhaps toward an addressable Thou, toward an addressable reality.
I was 12 and read my first romance novel; it was a sweeping desert saga, and I got to the end of it and was like, 'I want to go back and start all over again!' That emotional response to the book and getting to the end of a story you love is what inspires me to write the next book.
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it's something that theatre can do, but it's rare; it's very rare.
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