The despondency that follows makes me feel somewhat like a shipwrecked man who spies a sail, sees himself saved, and suddenly remembers that the lens of his spyglass has a flaw, a blurred spot -- the sail he has seen.
Jean GenetRead
I leave you free to imagine any dialogue you please. Choose whatever may charm you. Have it, if you like, that they hear the voice of the blood, or that they fall in love at first sight... Conceive the wildest improbabilities. Have it that the depths of their beings are thrilled at accosting each other in slang. Tangle them suddenly in a swift embrace or a brotherly kiss. Do whatever you like.
Interpretation
The quote invites readers to use their imagination to create their own narrative and emotions in a given situation.
Jean Genet's quote emphasizes the freedom and power of imagination in storytelling and human connection. He encourages individuals to create their own interpretations of interactions and relationships, allowing for a myriad of possibilities, from romantic encounters to profound emotional connections. This highlights the fluid and subjective nature of experience and the joy of constructing personal meanings.
In practice
In a creative writing workshop, a facilitator might use this quote to inspire students to explore their storytelling limits.
The despondency that follows makes me feel somewhat like a shipwrecked man who spies a sail, sees himself saved, and suddenly remembers that the lens of his spyglass has a flaw, a blurred spot -- the sail he has seen.
Erotic play discloses a nameless world which is revealed by the nocturnal language of lovers. Such language is not written down. It is whispered into the ear at night in a hoarse voice. At dawn it is forgotten.
I'm homosexual. How and why are idle questions. It's a little like wanting to know why my eyes are green.
I wanted to swallow myself by opening my mouth very wide and turning it over my head so that it would take in my whole body, and then the Universe, until all that would remain of me would be a ball of eaten thing which little by little would be annihilated: that is how I see the end of the world.
I decided to be what crime made of me.
It's a true image, born of a false spectacle.
I say to myself, 'I don't know how to act - and why does anybody want to look at me on-screen anymore?' ... Lots of actors feel that way. What gives you strength is also your weakness - your raging insecurity.
I can't become another person, no matter how much makeup I wear. Something of your own past, your experiences and personality always comes out in the role, and that makes acting very risky. You're exposed. You always wonder if you can pull it off.
I think in London - and I don't wanna offend anybody in America, but this is a real statement - they still have the right approach to making music. In the U.S., people see it as a way to make money; they see it as a means to get out. It's a hustle, which is great - any way you can provide for your family that's legal is fantastic.
From dancing around to Michael Jackson and Madonna as a kid to having my mind blown by the first sounds of punk and indie rock, to getting to play my own songs and have people listen, music is what got me through.
I think that the job of poetry, its political job, is to refresh the idea of justice, which is going dead in us all the time.
The sheer ease with which we can produce a superficial image often leads to creative disaster.
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