Full-color images lack the poignancy of monochrome... Black-and-white film inherently peels off interesting images from the world; it sees things we do not see, and thus insists on the existence of a phantom presence within reality, a world we cannot perceive.
Photographs freed from the scientific bias can, and indeed usually do, have double meanings, implied meanings, unintended meanings, can hint and insi… - Peter C Bunnell
Photographs freed from the scientific bias can, and indeed usually do, have double meanings, implied meanings, unintended meanings, can hint and insi…
- Peter C Bunnell
In photography, the issue of the integration of form and content is exceptionally difficult because of the widely held belief that photographs must b… - Peter C Bunnell
In photography, the issue of the integration of form and content is exceptionally difficult because of the widely held belief that photographs must b…
Full-color images lack the poignancy of monochrome... Black-and-white film inherently peels off interesting images from the world; it sees things we … - Peter C Bunnell
Full-color images lack the poignancy of monochrome... Black-and-white film inherently peels off interesting images from the world; it sees things we …
You see in the photograph what you are. - Peter C Bunnell
You see in the photograph what you are.
Each image suggests an inner reality, a kind of scar of the past, a reflection of an act or an event once lived. - Peter C Bunnell
Each image suggests an inner reality, a kind of scar of the past, a reflection of an act or an event once lived.
In a sense, photographs are highly literary, and the photographer, like the writer, has to be both a master of craft and a visionary. Patient accumul… - Peter C Bunnell
In a sense, photographs are highly literary, and the photographer, like the writer, has to be both a master of craft and a visionary. Patient accumul…
The nineteenth-century way of looking at the photograph was as a mirror for the memory, and at that time the photographs almost looked like mirrors, … - Peter C Bunnell
The nineteenth-century way of looking at the photograph was as a mirror for the memory, and at that time the photographs almost looked like mirrors, …
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