Art is, for me, the process of trying to wake up the soul. Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
Bill ViolaRead
The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment.
Interpretation
Bill Viola emphasizes that the essence of video lies not in the images themselves but in the movement they capture.
In this quote, Bill Viola articulates a fundamental concept about video art: while the visual images may captivate audiences with their electronic manipulation and creativity, it is ultimately the dynamic quality of movement that defines the medium. He suggests that video is an ephemeral art form, capturing moments that continuously evolve, presenting a unique perspective that distinguishes it from static forms of visual art.
In practice
During a documentary film festival to highlight the evolution of video art.
Art is, for me, the process of trying to wake up the soul. Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
Art has always had as its test in the long term the ability to speak to our innermost selves.
What makes literature interesting is that it does not survive its translation. The characters in a novel are made out of the sentences. That's what their substance is.
After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own. Music always seems to me to produce that effect. It creates for one a past of which one has been ignorant, and fills one with a sense of sorrows that have been hidden from one’s tears.
Not everybody trusts paintings but people believe photographs.
Always be a poet, even in prose.
The movie, by sheer speeding up of the mechanical, carried us from the world of sequence and connections into the world of creative configurations and structure.
The wonderful thing about writing for theatre is you can go anywhere you want with the language. There are no limits. With film, they frown on language - it's always 'Too many words.'
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