I prefer to unwind by DJing. I learned that from Mike D from the Beastie Boys. After a show, he would DJ. Once I saw that, I wanted to do that. And now DJing is like my lifeline. I love the power it represents.
QuestloveRead
Funk never dies. It is eternal. It just smells a little different from time to time.
Interpretation
Funk music has a lasting impact and evolves rather than disappears over time.
Questlove's quote speaks to the enduring nature of funk music, suggesting that while its sound may change or evolve, its essence remains alive and influential. This reflects how music genres adapt and transform, yet retain their core identity, continued relevance, and ability to inspire new generations.
In practice
In a speech about the power of music in our lives.
I prefer to unwind by DJing. I learned that from Mike D from the Beastie Boys. After a show, he would DJ. Once I saw that, I wanted to do that. And now DJing is like my lifeline. I love the power it represents.
Every time a new record started, people exhaled with pleasure, or their bodies moved automatically. I really started getting high off of the euphoric exclamations. Every record I put on was like a baptism.
All we sell is the Greatest feeling on Earth
I'm not one of those people who's so blinded by my own work and my sweat. It's kind of risky writing a memoir when you're really part of a larger universe.
Highlight reels are about that one person. After a barrage of highlight reels, you get the sense that you can do it without a team. But music thrived the most when groups were involved. People lose sight of that - that community makes the world run.
If you feel that you're not getting enough out of a song, change the instrument - go from an acoustic to an electric or vice versa, or try an open tuning. Do something to shake it up.
I spent one year being very poor at home with my piano, and nobody was calling me, but I had space to think about things on my own and find out exactly what I wanted to do.
Certainly tolerance and acceptance were at the forefront of my music.
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Most frontmen are not born hams like David Lee Roth. We're more like Joey Ramone: awkward geeks who somehow find our place in the world on the stage.
When I was eight, my piano teacher played seven or eight notes, and I sang them. She stopped and looked at me in shock! That was the first time I'd gotten that reaction. I'd had looks of horror, but never shock in a positive way.
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