I think that's one of the maybe under-discussed aspects of process - the difference between a good writing day and a bad one is the quality of the split-second decisions you made.
George SaundersRead
It's funny with fiction - once you cut something, it hasn't happened anymore.
Interpretation
Editing fiction can alter the narrative and make events seem as if they never occurred.
This quote by George Saunders captures the essence of storytelling and how the act of editing can fundamentally change the narrative of a piece of fiction. When a writer cuts a part of the story, it affects the continuity and reality of the events within that narrative, illustrating the power of the writer's choices in shaping the world they create.
In practice
This quote can be used in a writing workshop to discuss the importance of editing in storytelling.
I think that's one of the maybe under-discussed aspects of process - the difference between a good writing day and a bad one is the quality of the split-second decisions you made.
I still believe that capitalism is too harsh and I believe that, even within that, there is a lot of satisfaction and beauty if you happen to be one of the lucky ones, although that doesn't eradicate the reality of the suffering. It's all true at once, kind of humming and sublime.
Down in the city are the nice houses and the so-so houses and the lovers making out in dark yards and the babies crying for their moms, and I wonder if, other than Jesus, has this ever happened before. Maybe it happens all the time. Maybe there's angry dead all over, hiding in rooms, covered with blankets, bossing around their scared, embarrassed relatives. Because how would we know?
What a powerful thing to know: That one's own desires are mappable onto strangers; that what one finds in oneself will most certainly be found in The Other.
When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
I don't think much new ever happens. Most of us spend our days the same way people spent their days in the year 1000: walking around smiling, trying to earn enough to eat, while neurotically doing these little self-proofs in our head about how much better we are than these other slobs, while simultaneously, in another part of our brain, secretly feeling woefully inadequate to these smarter, more beautiful people.
Music has got to be useful for survival, or we would have gotten rid of it years ago.
There are more valid facts and details in works of art than there are in history books.
To me, music is entertainment - what else can it be? In fact, it's the only language I know of that's universal.
It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.
The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.
In the modern world, all literary art is necessarily political -- especially that which pretends not to be.
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