It's time we stop worrying, and get angry you know? But not angry and pick up a gun, but angry and open our minds.
Gangsta Rap is dead. I've moved on. And the raps that I'm rappin to my community shouldn't be filled with rage? They shouldn't be filled with same attrocities that they gave me? The media they don't talk about it, so in my raps I have to talk about it, and it seems foreign because there's no one else talking about it.
Interpretation
What this quote means
Tupac expresses his desire for rap to convey deeper truths rather than anger, emphasizing the need to address social issues.
In this quote, Tupac Shakur reflects on the evolution of his music, indicating that he has moved beyond the themes of violence and anger commonly associated with gangsta rap. He believes that his role as an artist is to highlight the harsh realities faced by his community, which are often ignored by mainstream media. By doing so, he aims to create awareness and provoke thought, showing that his art should serve as a platform for social commentary rather than perpetuate the cycle of violence.
Themes
In practice
Example use cases
At a community event focused on social justice, this quote can be used to highlight the importance of using music as a tool for awareness.
More from Tupac Shakur
All quotes →I'm down for you, so ride with me._x000D_ _x000D_ My enemies your enemies,_x000D_ _x000D_ Cause you ain't ever had a friend like me.
Life's a test, mistakes are lessons, but the gift of life is knowing that you have made a difference.
I'm not saying I'm gonna change the world, but I guarantee that I will spark the brain that will change the world.
I don't want to be a role model. I just want to be someone who says, this is who I am, this is what I do, I say what's on my mind.
All I'm trying to do is survive and make good out of the dirty, nasty, unbelievable lifestyle that they gave me.
Similar quotes
Oh, let there be nothing on earth but laundry,_x000D_ Nothing but rosy hands in the rising steam_x000D_ And clear dances done in the sight of heaven.
I'll get cast occasionally as sort of the jerk version of myself, and I have fun doing that. But it's really better for everyone if I stay behind the camera.
When I am no longer controversial, I will no longer be important
I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose — there has never yet been one able to do it. Should I expect to be the one?
Who I am on stage is very, very different to who I am in real life.
At our present bad moment, we need above all to recover our sense of literary individuality and of poetic autonomy.