Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
Seamus HeaneyRead
We go to poetry, we go to literature in general, to be forwarded within ourselves.
Interpretation
Literature and poetry help us understand and progress in our inner journeys.
Seamus Heaney suggests that engaging with poetry and literature serves a profound purpose of self-discovery and personal growth. These art forms allow individuals to explore their emotions, thoughts, and experiences, facilitating an inward journey that enhances their understanding of themselves.
In practice
During a workshop on creative writing, this quote can inspire participants to delve deep into their emotions through their work.
Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
What I've said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
The kinds of truth that art gives us many, many times are small truths. They don't have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
I think that water is immediately interesting. It's just, as an element, it is full of life. It is associated with origin; it is bright - it reflects you.
In making movies, time is so short-because it is so expensive-that we tend to neglect the place from which the best ideas come, namely that part of ourselves that dreams. The unconscious is our best collaborator.
My aim in painting has always been the most exact transcription possible of my most intimate impression of nature.
She didn't even have to smile, and she rarely did outside her house--it was the eyes, her dancer's carriage, the way she seemed to deliberate over the smallest movement of her body.
It was at that age that poetry came in search of me.
I had two major activities as a child. I was trying to put on shows with kids in my street, or I was drawing. Actually, what I'm doing now is exactly what I was doing then. Either I'm drawing, or I'm gathering people for a common project. The only difference is that now they are paying me for that.
Every one of my books had killed me a little more.
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