I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Virginia WoolfRead
The word-coining genius, as if thought plunged into a sea of words and came up dripping.
Interpretation
The quote highlights the creative process of forming new words and ideas as an immersive, almost overwhelming experience.
Virginia Woolf describes the act of creating new words as akin to diving into a vast ocean of language, where the mind is fully immersed and surfaces with fresh ideas. This poetic imagery suggests that the process of coining words is both rich and profound, reflecting the creativity involved in literature and art, where every word matters and carries deep significance.
In practice
In a discussion about the beauty of language during a literature class.
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Death is woven in with the violets,β said Louis. βDeath and again death.β)
He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother.
London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
I believe there are two ways of writing novels. One is mine, making a sort of musical comedy without music and ignoring real life altogether; the other is going right deep down into life and not caring a damn.
I believe that music is connected by human passions and curiosities rather than by marketing strategies.
Create form out of the nature of the task with the means of our time. This is our work.
But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography.
To me, art almost always speaks more forcefully when it appears in an imperfect, accidental, and fragmentary way, somehow just signaling its presence, allowing one to feel it through the ineptitude of the interpretation. I prefer the Chopin that reaches me in the street from an open window to the Chopin served in great style from the concert stage.
All my big mistakes are when I try to second-guess or please an audience. My work is always stronger when I get very selfish about it.
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