He believed that life, true life, was something that was stored in music. True life was kept safe in the lines of Tchaikovsky's Eugene Onegin while you went out in the world and met the obligations required of you. Certainly he knew (though did not completely understand) that opera wasn't for everyone, but for everyone he hoped there was something. The records he cherished, the rare opportunities to see a live performance, those were the marks by which he gauged his ability to love.

There is no longer beauty except in the struggle. No more masterpieces without an aggressive character. Poetry must be a violent assault against the unknown forces in order to overcome them and prostrate them before men.

The rules or 'laws' of poetry are only tentative devices, an approximate scheme. There is no Sinaitic recipe for poetry, for the individual poem is the norm.

After painting comes Sculpture, a very noble art, but one that does not in the execution require the same supreme ingenuity as the art of painting, since in two most important and difficult particulars, in foreshortening and in light and shade, for which the painter has to invent a process, sculpture is helped by nature. Moreover, Sculpture does not imitate color which the painter takes pains to attune so that the shadows accompany the lights.

Often a single experience will open the young soul to music for a whole lifetime

On a morning from a Bogart movie, in a country where they turn back time. You go strolling through the crowd like Peter Lorre, contemplating a crime. She comes out of the sun in a silk dress running like a watercolor in the rain. Don't bother asking for explanations, she'll just tell you that she came in the year of the cat.