I project myself out through the glasses and across the street, a ghost in the morning sunlight, torn with disembodied lust.
Interpretation
The quote expresses a sense of feeling detached from reality and experiencing a profound yearning.
In this quote, William S. Burroughs explores themes of alienation and desire. The imagery of projecting oneself as a 'ghost' suggests a disconnection from the physical world and a longing that is both intense and unsettling. It captures the complexity of human feelings and the often-overlapping experiences of longing versus existence within a vibrant, yet fleeting reality.
In practice
This quotation can be used in a discussion about existential philosophy.
God save the Queen and a fascist regime β¦ a flabby toothless fascism, to be sure. Never go too far in any direction, is the basic law on which Limey-Land is built. The Queen stabilizes the whole sinking shithouse and keeps a small elite of wealth and privilege on top. The English have gone soft in the outhouse. England is like some stricken beast too stupid to know it is dead. Ingloriously foundering in its own waste products, the backlash and bad karma of empire
Like most qualities, cuteness is delineated by what it isn't. Most people aren't cute at all, or if so they quickly outgrow their cuteness ... Elegance, grace, delicacy, beauty, and a lack of self-consciousness: a creature who knows he is cute soon isn't.
There is nothing more provocative than minding your own business.
Gentle reader, the Fountain of Youth is radioactive, and those who imbibe its poisonous heavy waters will suffer the hideous fate of decaying metal. Yet almost without exception, the wretched idiot inhabitants of our benighted planet would gulp down this radioactive excrement if it were offered.
Language is a virus from outer space.
One very important aspect of art is that it makes people aware of what they know and donβt know they know... Once the breakthrough is made, there is a permanent expansion of awareness. But there is always a reaction of rage, of outrage, at the first breakthrough... So the artist, then, expands awareness. And once the breakthrough is made, this becomes part of the general awareness.
It's a rare and precious thing to be close to suffering because our society - in many ways - tells us that suffering is wrong. If it's our own suffering, we try to hide it or isolate ourselves. If others are suffering, we're taught to put them away somewhere so we don't have to see it.
How could anybody confuse truth with beauty, I thought as I looked at him. Truth came with sunken eyes, bony or scarred, decayed. Its teeth were bad, its hair gray and unkempt. While beauty was empty as a gourd, vain as a parakeet. But it had power. It smelled of musk and oranges and made you close your eyes in a prayer.
To think well is to serve God in the interior court.
We are like plants which have the one choice of being in or out of the light.
A dogmatic belief in objective value is necessary to the very idea of a rule which is not tyranny or an obedience which is not slavery.
"Do you know," Ivan Bunin recalls Anton Chekhov saying to him in 1899, near the end of his too-short life, "for how many years I shall be read? Seven." "Why seven?" Bunin asked. "Well," Chekhov answered, "seven and a half then."
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