A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Neil GaimanRead
For me, the glory of my first 25 years as a writer was I could put things off as long as I wanted.
Interpretation
The quote emphasizes the freedom and creativity a writer experiences in their early years, highlighting a sense of procrastination as a tool for artistic exploration.
Neil Gaiman reflects on the liberating nature of being a writer in the initial stages of one's career, where the pressure of deadlines is not as pronounced. This ability to delay and explore ideas without constraint allows for a greater depth of creativity, suggesting that the journey of writing can be as important as the finished product.
In practice
During a writing workshop, I shared Gaiman's quote to illustrate the creative process and the value of taking one's time.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.
Nothing’s changed. You’ll go home. You’ll be bored. You’ll be ignored. No one will listen to you, really listen to you. You’re too clever and too quiet for them to understand. They don’t even get your name right.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend.
For being a bad student I was banished to the 'calaboose' - a bare cell with whitewashed walls and a bench to sit on. I liked it there, because I took along a sketch pad and drew incessantly I could have stayed there forever drawing without stopping
I still think it's really quite wonderful when I read a sentence of mine and it has that quality of lastingness.
Nearly everybody is looking for something brave to do. I don't know why people shouldn't write poetry. That's brave.
An actor is supposed to be a sensitive instrument. Isaac Stern takes good care of his violin. What if everybody jumped on his violin?
Tell me a story of deep delight.
To write tragedy, a man must feel tragedy. To feel tragedy, a man must be aware of the world in which he lives. Not only with his mind, but with his blood and sinews.
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