It's very hard to grow up in the African American church and for music to not be in your veins. It's just part of the fabric of who we are as people, especially black musicians.
Kirk FranklinRead
I trust that if God gives me music for someone else, that's what He wants that person to have. I have to trust that that's what they're supposed to do and that's the music that should specifically be released for them and their ministry, for their career and for their audience.
Interpretation
The quote emphasizes the importance of trusting in divine guidance when creating music for others.
Kirk Franklin expresses a deep belief in the connection between music and a higher purpose, suggesting that when he is inspired to create for someone else, it is not merely a coincidence but a calling that aligns with that individual's journey. He underscores the importance of faith in trusting that the music generated is meant to serve a specific role in the recipient's life, reinforcing the idea that creativity and inspiration can be a divine gift meant for the betterment of others.
In practice
Using this quote in a speech about the impact of music in church ministry.
It's very hard to grow up in the African American church and for music to not be in your veins. It's just part of the fabric of who we are as people, especially black musicians.
Eventually, I think Chicago will be the most beautiful great city left in the world.
As in creating some significant work the artist first experiences something akin to dream awareness that becomes clarified in the creative process itself, so we must first have a vision of the future sufficiently entrancing that it will sustain us in the transformation of the human project that is now in process.
The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.
If you keep eating McDonald's, you gonna get sick. You need a real home-cooked meal. And I knew that that would be healthier. And that's what Wu-Tang was: It was a home-cooked meal of hip-hop. Of the real people.
Writing a book has about it some of the anxiety of telling a joke and having to wait several years to know whether or not it was funny.
The idea of making audiences feel like they matter, that the theatre matters, and that they're a partner in the event—that's what fuels me as a director . . . I believe it's actually radical to think about the audience.
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