It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
BonoRead
God is in the slums, in the cardboard boxes where the poor play house. God is in the silence of a mother who has infected her child with a virus that will end both their lives. God is in the cries heard under the rubble of war. God is in the debris of wasted opportunity and lives, and God is with us if we are with them.
Interpretation
This quote emphasizes the presence of divinity in the suffering and struggles of marginalized people.
Bono's quote reflects on the idea that God is not found in places of wealth or power, but rather intimately present in the lives of the poor, the suffering, and those affected by war and societal neglect. It suggests that divine compassion and presence can be seen in the most desperate situations, calling us to recognize our shared humanity and the need to support those who are suffering.
In practice
During a speech on social justice, I referenced Bono's quote to highlight the need for empathy toward the marginalized.
It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
Perspective is the cure for depression.
At a certain point, I just felt, you know, God is not looking for alms, God is looking for action.
It's much easier to be successful than it is to be relevant. The tricks won't keep you relevant. Tricks might keep you popular for a while, but in all honesty, I don't know how U2 will stay relevant. I know we've got a future. I know we can fill stadiums. And yet with every record, I think, 'Is this it? Are we still relevant?'
Hanging out with politicians and corporations is very unhip work. But I think that the U2 audience have turned out to be incredibly subtle in their understanding.
Until it's on the radio or online, it's not real. With U2, our album isn't finished until it's in the stores.
Biology designed the dance. Terror timed it. Dictated the rhythm with which their bodies answered each other. As though they already knew that for each tremor of pleasure they would pay with an equal measure of pain. As though they knew that how far they went would be measured against how far they would be taken.
Revolutionary men with principles were not really different from the rest. They used their cleverness to get, in return for principles, what other men buy with their money.
I find this in all these places I've been travelling - from India to China, to Japan and Europe and to Brazil - there is a frustration with the terms of public discourse, with a kind of absence of discussion of questions of justice and ethics and of values.
There is still much debate about whether torture has been effective in eliciting information - the assumption being, apparently, that if it is effective, then it may be justified.
Robots do not hold on to life. They can't. They have nothing to hold on with - no soul, no instinct. Grass has more will to live than they do.
The worst thing you want is a willy-nilly judge who is swayed by the political whims of the era or the time. What you want is a judge who is thinking about what he or she is doing and is thinking about it in a principled way.
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