All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.
Interpretation
Good books resonate with truth and provide profound emotional experiences that feel personal to the reader.
In this quote, Hemingway suggests that great literature transcends mere storytelling by capturing deeper truths about life and eliciting strong emotions in readers. The experiences, emotions, and reflections one gains from reading a good book become intertwined with their own life, enhancing their understanding of the human experience and allowing them to connect with others on a meaningful level. Furthermore, he emphasizes that a true writer is one who can convey these truths and emotions to others through their writing.
In practice
During a book club discussion, you might quote Hemingway to highlight the emotional impact of literature.
He no longer dreamed of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. He only dreamed of places now and the lions on the beach. They played like young cats in the dusk and he loved them as he loved the boy. He never dreamed about the boy. He simply woke, looked out the open door at the moon and unrolled his trousers and put them on.
How did you go bankrupt?" Two ways. Gradually, then suddenly.
When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first.
There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.
Wine is the most civilized thing in the world.
There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.
It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham. He was always so entirely there.
If you wrote a novel in South Africa which didn't concern the central issues, it wouldn't be worth publishing.
'Who's been repeating all that hard stuff to you?' 'I read it in a book,' said Alice. 'But I had some poetry repeated to me, much easier than that, by - Tweedledee, I think it was.' 'As to poetry, you know,' said Humpty Dumpty, stretching out one of his great hands, 'I can repeat poetry as well as other folk, if it comes to that - ' 'Oh, it needn't come to that!' Alice hastily said, hoping to keep him from beginning.
English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
Is 'The Wind in the Willows' a children's book? Is 'Alice in Wonderland?' Is 'Treasure Island?' These are masterpieces which we read with pleasure as children, but with how much more pleasure when we are grown-up.
I'll read anything Anne Carson writes, anything J. M. Coetzee writes, and anything Cormac McCarthy writes. I'll drop whatever I'm doing to read a new Mary Ruefle essay.
Subscribe for the occasional hand-picked quote. No noise.