A good portion of my work with Tangerine Dream at the time involved film music, and I remember approaching it as any 23-year-old would - without much fear or respect. Also, Tangerine Dream was typically asked to deliver a monochromatic kind of score, the electronic-analog trademark sound that TD had become famous for following landmark films such as Sorcerer [Universal, 1977], Thief [MGM, 1981], and Risky Business [Warner Brothers, 1983].
After moving to Los Angeles in the early '90s, I started looking into "music for picture" more seriously and in broader scope. My collaboration as a … - Paul Haslinger
After moving to Los Angeles in the early '90s, I started looking into "music for picture" more seriously and in broader scope. My collaboration as a …
- Paul Haslinger
A good portion of my work with Tangerine Dream at the time involved film music, and I remember approaching it as any 23-year-old would - without much… - Paul Haslinger
A good portion of my work with Tangerine Dream at the time involved film music, and I remember approaching it as any 23-year-old would - without much…
I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classica… - Paul Haslinger
I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classica…
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