Then somebody suggested I should write about the war, and I said I didn't know anything about the war. I did not understand anything about it. I didn't see how I could write it
Martha GellhornRead
To be a good reporter, writing about war, you have to write about the people. It's not about the tanks or the RPGs or military strategy. It's always about the effect war has on civilians, on society, and how it disrupts and destroys lives.
Interpretation
Good reporting on war focuses on human stories rather than military details.
Janine Di Giovanni emphasizes that effective war reporting should center on the experiences and struggles of civilians. The impact of war is felt most deeply by the people affected, and understanding their narratives is essential to grasping the true cost of conflict.
In practice
During a journalism seminar discussing the human impact of conflict.
Then somebody suggested I should write about the war, and I said I didn't know anything about the war. I did not understand anything about it. I didn't see how I could write it
He once told Allie and I that if he'd had to shoot anybody, he wouldn't've known which direction to shoot in. He said the Army was practically as full of bastards as the Nazis were.
You can't have this kind of war. There just aren't enough bulldozers to scrape the bodies off the streets.
So many nurses had turned into emotionally disturbed handmaidens of the war, in their yellow-and-crimson uniforms with bone buttons.
A true war story is never moral.
A war doesn’t merely kill off a few thousand or a few hundred thousand young men. It kills off something in a people that can never be brought back. And if a people goes through enough wars, pretty soon all that’s left is the brute, the creature that we—you and I and others like us—have brought up from the slime.
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