Here's the truth about telling stories with your life. It's going to sound like a great idea, and you're going to get excited about it, and then when it comes time to do the work, you're not going to want to do it. It's like that with writing books, and it's like that with life. People love to have lived a great story, but few people like the work it takes to make it happen. But joy costs pain.

I listened so hard because it felt like, while she was telling me stories, she was massaging my soul, letting me know that I was not alone, that I will never have to be alone, that there are friends and family and churches and coffee shops. I was not going to be cast into space.

Sometimes I wish I could go back in time, sit down with myself and explain that things were going to be okay, that everybody loses ground sometimes and it doesn’t mean anything. It’s the way life works. This is hard to understand in the moment. You get to thinking about the girl who rejected you, the job you got fired from, the test you failed, and you lose sight of the big picture — the fact that life has a beautiful way of remaking itself every few weeks.

I've wondered, though, if one of the reasons we fail to acknowledge the brilliance of life is because we don't want the responsibility inherent in the acknowledgment. We don't want to be characters in a story because characters have to move and breathe and face conflict with courage. And if life isn't remarkable, then we don't have to do any of that; we can be unwilling victims instead of grateful participants.

But the people who took the bus didn't experience the city as we experienced the city. The pain made the city more beautiful. The story made us different characters than we would have been if we had skipped the story and showed up at the ending an easier way.

The times in my life when I have been most happy haven't been the times when I have had the most money or the most freedom or the most anything, but rather when I've been in love or in community or right with people.