When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
Tom WaitsRead
Got a head full of lightning, a hat full of rain.
Interpretation
This quote reflects a sense of creativity and emotional complexity.
Tom Waits' quote 'Got a head full of lightning, a hat full of rain' conveys the idea of having a tumultuous but vibrant mind filled with inspiration ('lightning') and emotional experiences or burdens ('rain'). It suggests that great creativity often comes from a mix of electrifying ideas and the weight of life's challenges, encapsulating the duality of artistic expression.
In practice
During a poetry reading, to emphasize the beauty and struggle of being an artist.
When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
If you're in the middle of the ocean with no flippers and no life preserver and you hear a helicopter, this is music. You have to adjust to your needs at the moment.
I knelt at the altar of Ray Charles for years. I worked at a restaurant, and that's all there was on the jukebox.
Don't plant your bad days. They grow into weeks. The weeks grow into months. Before you know it, you got yourself a bad year. Take it from me - choke those little bad days. Choke 'em down to nothing.
My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane.
Now its raining its pouring the old man is snoring now I lay me down to sleep I hear the sirens in the street all my dreams are made of chrome I have no way to get back home Iβd rather die before I wake like Marilyn Monroe and throw my dreams out in the street and the rain make βem grow
When I lock myself up to write, I cannot allow myself to think about the censor or the reviewer or anyone but my characters and their story!
There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
By the end, you should be inside your character, actually operating from within somebody else, and knowing him pretty well, as that person knows himself or herself. You're sort of a predator, an invader of people.
I feel as though I've gotten to a point where I don't really want to set a book in any real place ever again.
When I'm writing from a character's viewpoint, in essence I become that character; I share their thoughts, I see the world through their eyes and try to feel everything they feel.
You see, dancers are quite mature people because they start performing so early. They become professionals when they start to take everyday classes.
Subscribe for the occasional hand-picked quote. No noise.